117. ANSELM KIEFER


117. ANSELM KIEFER
 
Untitled (Berenice), 2003
Painted photograph with hair
 (127 x 96.5 cm)




Photograph, acrylic, shellac, ash, cotton dress, burned books, and plaster coated thorn bushes in glass and steel frame
 (282 x 307 x 35 cm)





Paul Celan: wir schöpften die Finsternis leer, wir fanden das wort, das den Sommer heraufkam: Blume; (We scooped the darkness empty, we found the word that ascended summer: flower), 2012
Oil, emulsion, acrylic, on photograph on canvas
(280 x 380 cm )



BIO & STEPS

Born:  
                  In 1945 in Donaueschingen, Germany.
Nowadays:

He lives and works in France.

Studies:
He entered University of Freiburg, and studied pre-Law and Romance languages. However, after 3 semester he switched to Art, studying at Art academies in Freiburg, Karlsruhe, and Düsseldorf.

In Karlsruhe, he studied under Peter Dreher, an important realist and figurative painter. He received an Art degree in 1969.


Themes and style: 
         Kiefer reflects upon and critiques the myths and chauvinism which eventually propelled the German Third Reich to power. His paintings depict his generation's ambivalence toward the grandiose impulse of German nationalism and its impact on history, balancing the dual purposes of visually powerful imagery and intellectually critical analysis.


Techniques:      
         His work is developed in paintings and sculpture.



Exhibitions
His work has been shown and collected by major museums throughout the world. Recent retrospective surveys include “Anselm Kiefer: Heaven and Earth,” the Modern Art Museum, Fort Worth, Texas (2005, traveled to Musée d'art contemporain de Montréal, the Hirshhorn Museum and Sculpture Garden, Washington, D.C., and the San Francisco Museum of Modern Art) and “Anselm Kiefer,” Guggenheim Museum Bilbao (2007). In 2007, Kiefer inaugurated the “Monumenta” program at the Grand Palais, Paris with a vast site-specific installation of sculptures and paintings. In 2009, he directed and designed the sets for Am Anfang (In the Beginning) at the Opéra National de Paris.

See more here:


Representative Galleries:

Gagosian
White Cube
Saatchi

In his own words:
"Art is difficult," says firmly. "It's not entertainment. There are only a few people who can say something about art – it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art."

For more Information:

http://www.theguardian.com/artanddesign/2011/dec/08/anselm-kiefer-art-white-cube