137. BLINKY PALERMO


137. BLINKY PALERMO


Graue Scheibe
1966
Casein on wood
13.5 x 26.5 x 2.5 cm


Kissen mit schwarzer Form
1967
Foam rubber
52 x 42 x 10 cm


Flipper
1965
Acrylic on canvas
89.7 x 70.2 cm




BIO & STEPS


Born:  
He was born Peter Schwarze in Leipzig, Germany in 1943 and was adopted and raised under the name Peter Heisterkamp. He changed his name to Palermo, taking the pseudonym from the American boxing promoter Blinky Palermo (“Blinky” later became his nickname; Palermo was his chosen artist name). 


Palermo died in 1977 at the age of 34 while traveling in the Maldives.


Studies:
In the 1960s, he studied under Joseph Beuys at the Kunstakademie Düsseldorf.

Themes and style: 
            Palermo was best known for his spare monochromatic canvases and "fabric paintings" made from simple lengths of colored material cut, stitched and stretched over a frame. He painted on aluminum, steel, wood, paper and Formica, often making lines out of tape instead of paint.
As the time passed by, he became increasingly interested in the organized spatial relationship between form and colour, a polarity which is manifest throughout the rest of his oeuvre. In the mid 1960s, Palermo moved away from conventional rectangular canvases and increasingly opted for surfaces such as the circle, triangle, cruciform, totem pole and even the interior walls of buildings.
Techniques:       
         His work is developed in paintings ( acrylic) and sculpture.


Exhibitions
Since his first solo exhibition in 1966 at Galerie Friedrich & Dahlem, Munich, Palermo’s work has been included in numerous important exhibitions in Europe and the United States at such institutions as the Von der Heydt-Museum, Wuppertal (1968); Hamburger Kunstverein (1973); Städtisches Kunstmuseum, Bonn (1975); São Paulo Biennial (1975); Stedelijk van Abbemuseum, Eindhoven (1986); Centre Georges Pompidou, Paris (1986); Dia Center for the Arts, New York (1987); Galerie des Beaux-Arts, Brussels (1988); The Menil Collection, Houston (1989); Museum der Bildenden Künste, Leipzig (1993); Kunstmuseum Bonn (1994); MACBA Museu d’Art Contemporani de Barcelona; and the Serpentine Gallery, London (both 2002-03).

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Representative Galleries:

David Zwirner



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