Mostrando entradas con la etiqueta R. Mostrar todas las entradas
Mostrando entradas con la etiqueta R. Mostrar todas las entradas

65. THE ROYAL ART LODGE



 65. THE ROYAL ART LODGE


Dinner For One 2008
mixed media on board
5.1 x 5.1 cm

“After the Royal Art Lodge” at Toronto’s Division Gallery (2013)


BIO & STEPS

Born:  
                  The Royal Art Lodge was a collaborative group of artists based in Winnipeg, Manitoba, Canada, founded in 1996 by Michael Dumontier, Marcel Dzama, Neil Farber, Drue Langlois, Jon Pylypchuk, and Adrian Williams at the University of Manitoba. Hollie Dzama and Myles Langlois also worked with the group.

In the last few years, only three of the original members remained, including Michael Dumontier, Marcel Dzama, and Neil Farber — the most recognized line-up.


Nowadays:
Today, while Marcel Dzama has hit the big time in New York, Dumontier and Farber remain in Winnipeg, where they continue to collaborate as a duo, though no longer using The Royal Art Lodge name. Their art has gained international recognition and is part of the reason why in 2011 Maclean’s named Winnipeg the hottest art scene in Canada — after Vancouver, that is. Farber’s solo work is also in a collection at the Museum of Modern Art in New York.

Education: 
        
They came together in Winnipeg every Wednesday night for years to make art. Then,  in 2008,  they split up.  Its alumni’s careers, however, hardly rolled over to die in the gutter – the affiliation with one of Canada’s best-known collectives has proved enduring. The collaboration between Dumontier and Farber, in fact, never really stopped (it’s helpful both still live in Winnipeg)

Themes and style: 
         At times, their art is dark and alienated, though often there’s a cleverly absurd juxtaposition of text and image that makes you wonder whether you’ve stumbled upon some long lost pages of an impossible children’s book collaboration between William Blake and Luis Bunuel, perhaps created while listening to copious amounts of Captain Beefheart.

Techniques:      
The majority of the work produced by The Royal Art Lodge were small-scale drawings and paintings which often incorporated text

Exhibitions
“After the Royal Art Lodge” at Toronto’s Division Gallery (2013)
In their own words:
“Spontaneity is key to our process,” said Farber. “Usually a painting will begin with an image, generally a character or object, that is added to and talked about until a full idea is realized.”

Representative Galleries:

Division Gallery
Galeries West



For more Information:




http://www.frieze.com/issue/review/the_royal_art_lodge/

64. GERHARD RICHTER


64. GERHARD RICHTER



Sinbad
2008 30 cm x 24 cm Catalogue Raisonné: 905-2
Lacquer on back of glass


Colour Streaks
1968 50 cm x 40 cm Catalogue Raisonné: 194-4
Oil on canvas


Abstract Painting
2005 113.5 cm x 72 cm Catalogue Raisonné: 891-3
Oil on canvas

BIO & STEPS

Born:  
                  In 1932 in Dresden, Weimar Republic ( Germany)
Nowadays:

Education:
         He left school after 10th grade and apprenticed as an advertising and stage-set painter, before studying at the Dresden Academy of Fine Arts. In 1948, he finished higher professional school in Zittau, and, between 1949 and 1951, successively worked as an apprentice with a sign painter and as a painter.[9] In 1950, his application for study at the Dresden Academy of Fine Arts was rejected as "too bourgeois".[9] He finally began his studies at the Dresden Academy of Fine Arts in 1951. His teachers were Karl von Appen, Heinz Lohmar (de) and Will Grohmann.

Themes and style: 
         Nearly all of Richter's work demonstrates both illusionistic space that seems natural and the physical activity and material of painting—as mutual interferences. For Richter, reality is the combination of new attempts to understand—to represent; in his case, to paint—the world surrounding us. one of the pioneers of the New European Painting that emerged in the second half of the twentieth century.


Techniques:      
Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces.

Exhibitions
Richter first began exhibiting in Düsseldorf in 1963. Richter had his first gallery solo show in 1964 at Galerie Schmela in Düsseldorf. Soon after, he had exhibitions in Munich and Berlin and by the early 1970s exhibited frequently throughout Europe and the United States. In 1966, Bruno Bischofberger was the first to show Richter's works outside Germany.
Some selected solo exhibitions are:
Gerhard Richter 4900 Colours: Version II at the Serpentine Gallery, London, United Kingdom. 2008
Gerhard Richter Portraits at the National Portrait Gallery, London, United Kingdom. 2009
Gerhard Richter: Panorama at the Tate Modern, London, United Kingdom. 2011
Gerhard Richter at the Centre Pompidou, Paris, France. 2012
Gerhard Richter: Panorama at the Neue Nationalgalerie, Berlin, Germany. 2012
In his own words:
“I looked at the world around me, and [in 1974] everything seemed terrible and senseless. German culture was utterly broken. So I decided to create those gray paintings to acknowledge that. After that I started building [German culture] back up by creating some sort of beauty that could be physically seen: art. I think of these new grays as, not fun, but definitely more on the happier side. These new ones are absolute perfection. I put them behind such perfect glass to play with the idea of mirrors and reflection.”

Representative Galleries:

Gagosian
Maria Goodman
Dominique Levi

For more Information:
http://www.tate.org.uk/whats-on/tate-modern/exhibition/gerhard-richter-panorama

http://www.wsj.com/articles/gerhard-richter-at-82-art-is-still-sublime-1413395231