140. CAROL RHODES



140. CAROL RHODES

INDUSTRIAL BELT
2006
Painting
Oil on board
71.50 x 81.00 cm

CARPARK, CANAL
1994
Oil on board
51.40 x 44.60 cm

TOWN
·       2005
Oil on board
60 x 53.5 cm


BIO & STEPS

Born:  
In 1959 in Edinburgh ( Scotland)

Nowadays:

She lives and works in Glasgow.

Studies:

The Glasgow School of Art (1977–82).


Themes and style: 
         Working slowly, in oil on board, she depicts 'functional' landscapes manipulated by human activity - industry, landscaping, transport and quarrying. These terrains are distilled from imagined, observed and photographed views, with high viewpoints suggesting clarity and logic yet also unreality and disorientation. Recalling a range of art-historical precedents from early Netherlandish pictures to Indian miniatures, these paintings have an intensity and metaphoric richness that belies their apparent reserve.


Techniques:       
         Is developed in paintings



Exhibitions
Solo exhibitions have been held at OHIO, Glasgow (2013), Mummery + Schnelle, London (2009 and 2013), the Scottish National Gallery of Modern Art (2007) and Brent Sikkema, New York (2002). Group shows include Looking at the View, Tate Britain, London (2013);The Ground Around, Vilma Gold, London (2010); Direkte Malerei, Kunsthalle Mannheim (2004); and British Art Show 5 (2000). Her works are in major collections including Tate, Scottish National Gallery of Modern Art and the Yale Center for British Art, New Haven, Connecticut.
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Representative Galleries:

Scottish National Gallery of Modern Art
Mummery and Schnelle


In her own words:

‘Chatever else it is (and it has to be other things too), is always a sort of manifesto about what art is now, and what it might become… imposing intention and function onto the substance of paint is essential. It allows me into the real meaning of the painting, whatever that may be’.


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