126. MICHEL MAJERUS


126. MICHEL MAJERUS




Untitled
1998
Silkscreen on cotton
160 x 140 cm



it's cool man
1998
Enamel and silkscreen on aluminum
300 x 548 x 22 cm

Untitled, 2001
SILKSCREEN ON COTTON
60 X 60 CM



BIO & STEPS

Born:  
                  In 1967 in Esch-sur-Alzette, Luxembourg.
He died in a plane crash in 2002.

Studies:

         He began to study at Staatliche Akademie der Bildenden Künste Stuttgart, graduating in 1992.


Themes and style: 
            Majerus’ multi-faceted aesthetic world is one of Murakami’s cheeky Japanese anime, of Kraftwerk’s pulsating German techno and Lichtenstein’s industrial brushstrokes. Preferring tangential formatting over rigid, strict composition, he soon realised he need not be confined by four edges. The artist goes about removing the frame and canvas, painting directly onto gallery walls, a technique he developed during a year-long sojourn in Los Angeles between 2000-2001. Initiating an aspiring series of large-format paintings, Majerus discovered in LA a physical environment which closely echoed his own anarchic and symbolic imagination. Stimulated by the city’s concurrent obsession with mass media, the artist’s references to pop culture go into overdrive.



Techniques:      
         His work is developed in paintings and instalations.



Exhibitions
Majerus' artwork first came to international attention in 1996 with an exhibition at the Kunsthalle in Stuttgart, and then with subsequent exhibitions in Munster and Dundee. Commencing in 2005, approximately two hundred of Majerus' works have been displayed as the "European Retrospective" travelling exhibition. The exhibition was a collaboration between the Majerus family and the Galerie Neugerriemschneider, Berlin. It included works usually displayed at the Hamburger Bahnhof, Berlin, the Kunsthaus - Landesmuseum Joanneum, Graz and from private collections throughout the world (Argentina, Austria, Belgium, Spain, Germany, Great-Britain, Greece, Italy, Luxembourg, Mexico, Portugal, USA).
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Representative Galleries:

Matthew Marks



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