133. JUSTIN MORTIMER



133. JUSTIN MORTIMER
Lake, 2003, 198x244cm; 

Untitled, photo collage

HMQ, Commissioned by the Royal Society for the Arts, 1997, oil on canvas



BIO & STEPS

Born:  
                  In 1970 in England

 Nowadays:
Lives and works in London
Studies:

1988-92
Slade School of Art, London

Themes and style: 
            His paintings consistently invite us to question the relationship between subject matter and content, beauty and horror, and between figuration and abstraction. While the imagery is almost exclusively pitiless, the texturing of the paint, the play between light and shade and the passages that lead from photo-realist definition to near-abstract formlessness are so sensitively handled as to make the work at least partially redemptive as well as to indicate a key philosophical dimension: the oblique relationship between evidence and interpretation

Techniques:       
         His work is developed in oil paintings and collage  


Exhibitions

See all at:





Representative Galleries:

Parafin




In his own words:

“I’m very interested in painting violence without painting violence – the banality of everyday objects is something I find very moving. It’s often down to the shoe or the telephone … and the everyday objects of a violent person”.

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