65. THE ROYAL ART LODGE



 65. THE ROYAL ART LODGE


Dinner For One 2008
mixed media on board
5.1 x 5.1 cm

“After the Royal Art Lodge” at Toronto’s Division Gallery (2013)


BIO & STEPS

Born:  
                  The Royal Art Lodge was a collaborative group of artists based in Winnipeg, Manitoba, Canada, founded in 1996 by Michael Dumontier, Marcel Dzama, Neil Farber, Drue Langlois, Jon Pylypchuk, and Adrian Williams at the University of Manitoba. Hollie Dzama and Myles Langlois also worked with the group.

In the last few years, only three of the original members remained, including Michael Dumontier, Marcel Dzama, and Neil Farber — the most recognized line-up.


Nowadays:
Today, while Marcel Dzama has hit the big time in New York, Dumontier and Farber remain in Winnipeg, where they continue to collaborate as a duo, though no longer using The Royal Art Lodge name. Their art has gained international recognition and is part of the reason why in 2011 Maclean’s named Winnipeg the hottest art scene in Canada — after Vancouver, that is. Farber’s solo work is also in a collection at the Museum of Modern Art in New York.

Education: 
        
They came together in Winnipeg every Wednesday night for years to make art. Then,  in 2008,  they split up.  Its alumni’s careers, however, hardly rolled over to die in the gutter – the affiliation with one of Canada’s best-known collectives has proved enduring. The collaboration between Dumontier and Farber, in fact, never really stopped (it’s helpful both still live in Winnipeg)

Themes and style: 
         At times, their art is dark and alienated, though often there’s a cleverly absurd juxtaposition of text and image that makes you wonder whether you’ve stumbled upon some long lost pages of an impossible children’s book collaboration between William Blake and Luis Bunuel, perhaps created while listening to copious amounts of Captain Beefheart.

Techniques:      
The majority of the work produced by The Royal Art Lodge were small-scale drawings and paintings which often incorporated text

Exhibitions
“After the Royal Art Lodge” at Toronto’s Division Gallery (2013)
In their own words:
“Spontaneity is key to our process,” said Farber. “Usually a painting will begin with an image, generally a character or object, that is added to and talked about until a full idea is realized.”

Representative Galleries:

Division Gallery
Galeries West



For more Information:




http://www.frieze.com/issue/review/the_royal_art_lodge/