60. RICHARD
PRINCE
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RICHARD
PRINCE, Self Portrait, 1973–2013, chromogenic print, 40 × 30
inches (101.6 × 76.2 cm), ed. of 2
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Untitled
(de Kooning), 2005
Inkjet and acrylic on canvas 67 x 84 inches (170.2 x 213.4 cm) |
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Elvis,
2007
Steel, plywood and bondo 63 x 76 x 182 inches (160 x 193 x 462.3 cm) |
BIO & STEPS
Born:
Born 1949 in the Panama Canal Zone (USA)
Nowadays:
Lives and works in Upstate New York
Studies:
After
finishing high school in 1967, Prince set off for Europe at age 18.
He returned home and attended Nasson College in Maine.
He describes his school as without grades or real structure. From Maine he was
drawn to New York City. Prince has said that his attraction to New York was
instigated by the famous photograph of Franz Kline gazing out the window of his
14th Street studio. Prince described the picture as "a man content to be
alone, pursuing the outside world from the sanctum of his studio.
Themes and
style:
Mining
images from mass media, advertising and entertainment since the late seventies,
Prince has redefined the concepts of authorship, ownership, and aura. Applying
his understanding of the complex transactions of representation to the making
of art, he evolved a unique signature filled with echoes of other signatures
yet that is unquestionably his own. An avid collector and perceptive chronicler
of American subcultures and vernaculars and their role in the construction of
American identity, he has probed the depths of racism, sexism, and psychosis in
mainstream humor; the mythical status of cowboys, bikers, customized cars, and
celebrities; and most recently, the push-pull allure of pulp fiction and soft
porn, producing such unlikely icons as the highly coveted Nurse paintings.
Techniques:
His work
is developed in paintings, installation, sculpture and photography.
Selected Solo Exhibitions
2012
“Prince / Picasso”, Museo Picasso Malaga, Spain
2011
“The Fug”, Almine Rech Gallery, Brussels
“Covering Pollock”, Guild Hall, Easthampton, NY
“Richard Prince”, Gagosian Gallery, Hong Kong
“de Kooning”, Gagosian Gallery, Paris, France
“Bel Air”, Gagosian Residence, Bel Air, CA
“American Prayer”, Bibliotheque nationale de France, Paris,
France
2010
“Richard Prince, Pre-Appropriation Works, 1971 – 1974”,
Specific Objects, New
York, NY.
“Tiffany Paintings”, Gagosian Gallery, NY, NY.
“Hippie Punk”, Salon 94 Bowery, NY, NY.
2008 "Richard Prince: Continuation," Serpentine
Gallery, London
“Four Blue Cowboys”, Gagosian, Rome
“Richard Prince”, Gagosian, Davies Street, London
“Richard Prince”, Galerie Patrick Seguin, Paris
“Richard Prince: Canal Zone”, Gagosian New York
“SHE: Works by Wallace Berman and Richard Prince”, Michael
Kohn Gallery,
Los Angeles
2007 “Richard Prince: Spiritual America,” Solomon R.
Guggenheim Museum,
New York; Walker Art
Center, Minneapolis
"Richard Prince: Panama Pavilion,” Venice, Italy
2006 "Richard Prince: Canaries in the Coal Mine,"
Astrup Fearnley Museum,
Oslo, Norway
“Richard Prince: Cowboys, Mountains, and Sunsets,” Monika
Sprüth, Cologne,
Germany
"Richard Prince: The Portfolios," Juergen Becker,
Hamburg
“Richard Prince: Cowboys and Nurses,” John McWhinnie @ Glenn
Horowitz,
New York
2005
"Richard Prince: New Work," Sadie Coles HQ, London
“Richard Prince” Gladstone Gallery, New York
“Richard Prince: Check Paintings” Gagosian Gallery, Beverly
Hills
2004
"Richard Prince: Women," Regen Projects, Los Angeles.
“Richard Prince: Man,” Galerie Eva Presenhuber, Zurich
“Richard Prince,” Sammlung Goetz, Munich
“American Dream: Collecting Richard Prince for 27 years,”
Rubell Family
Collection, Miami
2003
"Richard Prince: Nurse Paintings," Barbara
Gladstone Gallery, New York
“Richard Prince: Publicities,” Works from the Ophiuchus
Collection, Hydra
Workshop, Greece.
"Richard Prince: Good Life," Glenn Horowitz
Bookseller, East Hampton, NY
"Richard Prince: Nurse Paintings," Sadie Coles HQ,
London
"Richard Prince: Upstate," Sabine Knust, Munich
2002
Barbara Gladstone Gallery, New York.
Patrick Painter, Inc., Santa Monica
2001
Museum für Gegenwartskunst, Basel and Kunsthalle Zurich;
travelled to
Kunstmuseum
Wolfsburg, 2002.
“Richard Prince: Publicities,” Sadie Coles HQ, London
Regen Projects, Los Angeles
Skarstedt Fine Art, New York
Galerie Micheline Szwajcer, Antwerp, Belgium
2000
Partobject Gallery, Carrboro, NC, “Richard Prince: Upstate”
Barbara Gladstone Gallery, New York
“Richard Prince: Photographs, Paintings,”Jablonka Galerie,
Cologne
“Richard Prince: 4 x 4,” MAK Vienna, Vienna
“Richard Prince: Upstate,” MAK Center for Art and
Architecture, Schindler House,
Los Angeles
1999
Sadie Coles HQ, London, “Richard Prince”
Sabine Knust-Maximilian Verlag, Munich, “Richard Prince:
Paintings and Works
on Paper 1997/98” and “Upstate”
1998
Stills Ltd, Edinburgh, “Richard Prince”
Regen Projects, Los Angeles
Barbara Gladstone Gallery, New York
Skarstedt Fine Art, New York, “Richard Prince: Paintings
1988-92”
Anton Kern Gallery, New York, “Psychoarchitecture: Richard
Prince, Martin
Kippenberger”
1997
Jürgen Becker, Hamburg, “The White Room” Parco, Tokyo
Museum Haus Lange/Museum Haus Esters, Krefeld, Germany,
“Richard Prince”
White Cube, London, “Richard Prince”
Espace dʼart
Yvonamor Palix, Paris, “Cowboys and Cowgirls”
1996
Sabine Knust- Maximilian Verlag, Munich, “Richard Prince”
Haus der Kunst/Süddeutsche Zeitung, Munich
Jablonka Galerie, Cologne, “Richard Prince: New Works”
1995
Barbara Gladstone Gallery, New York, “Richard Prince:
Paintings”
Theoretical Events, Naples, Italy
Regen Projects, Los Angeles
1994
Kestner Gesellschaft, Hanover, Germany
Offshore Gallery, East Hampton, New York
1993
Museum Boijmans-van Beuningen, Rotterdam, The Netherlands,
"Richard Prince: Fotos, Schilderijen, Objecten"
Barbara Gladstone Gallery, New York
San Francisco Museum of Modern Art
Kunstverein and Kunsthalle, Düsseldorf
Stuart Regen Projects, Los Angeles, "First House,"
April 3 - 30, 1993
540 Westmount, West Hollywood CA
Jablonka Galerie, Cologne, Germany, "Girlfriends"
Galerie Micheline Szwajcer, Antwerp, Belgium
1992
Whitney Museum of American Art, New York, "Richard Prince,"
Maximilian Verlag-Sabine Knust, Munich, "Protest
Paintings"
Beaver College Art Gallery, Glenside, PA
Le Case d'Arte, Milan, "Works on Paper"
1991
Barbara Gladstone Gallery, New York
Galleri Nordanstad - Skarstedt, Stockholm
Galerie Ghislaine Hussenot, Paris
Stuart Regen Gallery, Los Angeles
1990
Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne,
"Richard Prince:
Jokes, Gangs, Hoods,"
Galerie Micheline Szwajcer, Antwerp, "Richard
Prince"
Arthur Roger Gallery, New Orleans
1989
IVAM Centre del Carme, Valencia, "Spiritual
America,"
Barbara Gladstone Gallery, New York, "Richard Prince:
Sculpture" (joint
exhibition with Jay Gorney Modern Art)
Jay Gorney Modern Art, New York, "Richard Prince:
Paintings," (joint exhibition
with Barbara Gladstone Gallery)
Barn Gallery, Ogunquit, ME, Brochure
Daniel Weinberg Gallery, Los Angeles
1988
Barbara Gladstone Gallery, New York
Centre National d'Art Contemporain de Grenoble (MAGASIN),
Grenoble, France
Le Case d'Arte, Milan
One Times Square, New York, "Tell Me Everything,"
Spectacolor Lightboard
installation sponsored by The Public Art Fund, Inc., New York
Galerie Ghislaine Hussenot, Paris
Galerie Rafael Jablonka, Cologne, Germany
1987
Galerie Isabella Kacprzak, Stuttgart
Daniel Weinberg Gallery, Los Angeles
1986
International with Monument, New York
Feature Gallery, Chicago
1985
International with Monument, New York
Richard Kuhlenschmidt Gallery, Los Angeles
1984
Riverside Studios, London, England
Feature Gallery, Chicago
Baskerville + Watson, New York
1983
Le Nouveau Musée, Lyon, France
Institute of Contemporary Art, London
Richard Kuhlenschmidt Gallery, Los Angeles
Baskerville + Watson, New York
1982
Metro Pictures, New York
1981
Metro Pictures, New York
Jancar/ Kuhlenschmidt Gallery, Los Angeles
1980
Artists Space, New York
CEPA Gallery, Buffalo, New York
Selected Group Exhibitions
2012
“Hans Bellmer, John Currin, Marcel Duchamp, Llyn Foulks,
Robert Heinecken,
Tetsumi Kudo, Richard Prnce, Alina Szapocznikow, Hannah
Wilke”, Andrea
Rosen Gallery, NY, NY.
“True Stories: Amerikanische Fotografie aus der Sammlung
Moderne Kunst,
Pinakothek Der Moderne, Munich, Germany
“This Will Have Been: Art, Love & Politics in the 1980ʼs”, MCA, Chicago
“The State: The Coming Insurrection”, Traffic Gallery, Dubai,
UAE.
“Fresh Kills”, Anonymous Gallery, Mexico City.
“Hoodwinked”, Nyehuas, NY, NY.
“Blind Cut”, Marlborough Gallery Chelsea, NY, NY.
“Paintings from the Rubell Family Collection”, Fundación
Banco Santander in
Boadilla (Madrid), Spain
“Return Trip: Art from the Bone Yard Project", Pima Air
and Space Museum
Tucson, AZ
2011
“La chasse au Snark”, Galerie de Multiples, Paris
“Circa 1986”, Hudson Valley Center for Contemporary Art,
Peekskill, NY
“Postmodernism: Style and Subversion 1970 – 1990” Victoria
and Albert
Museum, London
“No Substitute”, Glenstone Foundation, Potomac, MD.
“Verbotten”, Thomas Amann Fine Art, Zurich, Switzerland
“Sculpture Now”, Eva Presenhuber Gallery, Zurich, Switzerland
“Politics Is Personal”, Curated by Thea Westrich, Stonescape,
Norman and
Norah Stone Collection, Calistoga, CA.
“Nose Job”, Eric Firestone Gallery, Easthampton, NY.
“This Will Have Been: Art, Love & Politics in the 1980s”,
MCA, Chicago, IL.
“Grisaille”, Curated by Alison Gingeras Luxembourg &
Dayan, NY, NY.
“The Lords & the New Creatures”, Nye + Brown, Los
Angeles, CA
“EXPOSITION D'OUVERTURE”, Le Cosortium, Dijon, France
“Through The Looking Brain: the photographic collection of
Swiss collectors
Rudolf, Christine and Thomas Bechtler”, KunstMuseum Bonn,
Switzerland
“We Will Live, We Will See”, Zabludovic Collection, London
“After Hours: Murals on the Bowery”, Art production Fund, NY,
NY.
“Notations/Everyday Disturbances”, Philadelphia Museum of
Art, Phila, PA.
“Car Fetish. I drive therefore I am”, Museum Tinguely, Basel,
Switzerland.
“Thatʼs the
Way We Do It: The Techniques and Aesthetic of Appropriation. From
Ei Arakawa to Andy Warhol”, Kumsthaus, Bregenz
“Unpainted Paintings”, Curated by Alison Gingeras Luxembourg
& Dayan, NY,
NY.
“Legacy: The Emily Fisher Landau Collection”, Whitney Museum
of American Art,
NY.
“Creating the New Century: Contemporary Art from the Dicke
Collection”, The
Dayton Art Institute, Dayton, OH.
“Black Swan”, Regen Projects, Los Angeles, CA.
“Staging Action: Performance in Photography since 1960”,
MOMA, NY, NY.
2010
“The Collection and Then Some”, Modern Art Museum of Fort
Worth, Fort Worth,
TX.
“Peter Saville: Accessories to an Artwork”, Glenn Horowitz
Bookseller, East
Hampton, NY.
“Picture Industry (Goodbye to all that)”, Curated by Walead
Beshty, Regen
Projects, Los Angeles
“Kupferstichkabinett: Between Thought and Action”, White
Cube, London
“Multiple Pleasures: Functional Objects in Contemporary Art”,
Curated by
Nathalie Karg/Cumulus Studios, Tanya Bonakdar Gallery, NY,
NY.
“POP: The Artist in the Age of Pop”, National Gallery of
Canada, Ottawa, ON.
“Koons, McEwen, Prince, Stingel”, Stellan Holm Gallery, NY,
NY.
“Tom of Finland and Then Some”, Feature, NY, NY.
“The Modern Myth: Drawing Mythologies in Modern Times”, MOMA
“Haunted: Contemporary Photography/Video/Performance”,
Guggenheim
Museum, New York.
“Your History is Not Our History”, Haunch of Venison, NY, NY.
“Sexuality and Transcendence”, PinchukArtCentre, Kiev,
Ukraine.
“Crash: Homage to JG Ballard”, Gagosian Gallery, London
“Rewind: Selected works from the MCA collection 1970ʼs to 1990ʼs, MCA
Chicago
“Knock Knock, Whoʼs There?
That Joke Isnʼt Funny
Anymore”, Armand Bartos
Fine Art, New York
“The Anniversary Show”, SFMOMA
“Skin Fruit: Selections from the Dakis Joannou Collection”,
New Museum, NY.
“Collecting Biennials”, Whitney Museum of American Art, NY.
2009
“Looking at Music: Side 2”, Museum of Modern Art, NY
“EXPOSED”, Delaware Art Museum
“STAGES”, Galerie Emmanuel Perrotin, Paris – Livestrong
Benefit
“Pete and Repeat” Works from the Zabludovic Collection,
London.
“Controverse, photographies a histories” march – may , BnF,
Paris
“Fifteen People Present Their Favorite Book (After Kosuth)”
April to May – Glenn
Horowitz Bookseller, East Hampton
Louis Vuitton and the Passion for Creation, Hong Kong Museum
of Art, Hong
Kong (May 2009)
“The Pictures Generation”, Metropolitan Museum of Art
“Into the Sunset”, Museum of Modern Art, New York
Pinault Collection: Palazzo Grassi & Palazzo Dogana,
Venice, Italy (June 2009)
Brant Foundation Art Study Center Greenwich, CT opening
exhibition June 2009
“POP: The Artist in the Age of Pop”, Tate Modern, London,
England (October 1,
2009 - January 17, 2010)
“UFO” NRW-Forum Kultur und Wirtschaft Dusseldorf – May 23 –
July 5th
“Wall Rockets”, FLAG Art Foundation, Nov 08 – Albright Knox
Museum – May 09
“Sonic Youth etc.:Sensational Fix” – Production LiFE
(Saint-Nazare, France) &
Museion (Bolzno, Italy), Malmo Konsthall, Sweeden (2009)
“Street & Studio” Museum Folkwang, Essen
“Black & White”, Stellan Holm Gallery
2008
"Meet Me Around the Corner - Works from the Astrup
Fearnley Collection,"
Astrup Fearnley Museet for Moderne Kunst, Oslo
“Whoʼs Afraid
of Jasper Johns?” Tony Shafrazi Gallery, New York
"Collier Schorr: Freeway Balconies," Deutsche
Guggenheim, Berlin
"Purple Anthology; Art Prose Fashion Music Architecture
Sex," John McWhinnie
at Glenn Horowitz Bookseller, New York
"No Images of Man," Gering & Lopez Gallery, New
York
"You Can Go Your Own Way," Renwick Gallery, New
York
"Sympathy for the Devil: Art and Rock Since 1967,"
Museum of Contemporary
Art, North Miami
"I Love the Horizon," Magasin, Centre National
d'Art Contemporin, Grenoble
"Photography on Photography, from the 1960s to the
Present," The Metropolitan
Museum of Art, New York
"Depreciation and Devastation," Gavin Brown's
Enterprise at Passerby, New
York
"Typed," Sadie Coles, London
“John Dogg,” Kunsthalle Zurich
“Radical Advertising,” Projects GmbH, Dusseldorf
“Street & Studio: An Urban History of Photography,” Tate
Modern, London
“God & Goods,” Villa Manin Centro d'Arte Contemporanea,
Codroipo, Italy
“Sonic Youth etc.:Sensational Fix” – Production LiFE
(Saint-Nazare, France) &
Museion (Bolzno, Italy), Malmo Konsthall, Sweeden (2009)
“An Unruly History of the Readymade” Fundacion/Coleccion
Jumex
”Pipe, Glass, Bottle of Rum: The Art of Appropriation”, MOMA
“The Unforgiven” Stellan Holm Gallery
“Wall Rockets”, FLAG Art Foundation, Nov 08 – Albright Knox
Museum – May 09
“for what you are about to receive” Gagosian Gallery @ Red
October Chocolate
Factory, Moscow
“Wives, Wheels, Weapons”, Glenn Horowitz Bookseller,
Easthampton, NY.
“Faces and Figures (revisited)”, Marc Jancou Contemporary
“Excerpt, Selections from the Jeanne Greenberg Rohatyn
Collection”, The
Frances Lehman Loeb Art Center, Vassar College
“Bookish”, Lewis Gluckman, Cork Ireland
2007
“Frieze Projects,” Frieze Art Fair, London
“My Sweet Sixteen Party,” Rodolphe Janssen, Brussels
"Now Playing: Artists Who Borrow From Film," Glenn
Horowitz Bookseller, East
Hampton, NY.
"Jubilee Exhibition," Eva Presenhuber, Zurich
"Fractured Figure," DESTE Foundation for
Contemporary Art, Athens
"Fractured Figure: Works from the Dakis Joannou
Collection," DESTE
Foundation for Contemporary Art, Athens
"Body Politicx," Witte de With Center for
Contemporary Art, Rotterdam
"New Acquisition," Le Casa D'Arte, Milan
"Heroines: Richard Prince, Madame Butterfly, "The
Arnold and Marie Scwartz
Gallery, Metropolitan Opera, New York
"Counterparts: Contemporary Painters and their
Influences," Contemporary Art
Center of Virginia, Virginia Beach
"Sequence 1: Painting and Sculpture from the Pinault
Collection," Palazzo
Grassi, Venice, Italy
"Brave Lonesome Cowboy: The Myth of the Western in
Contemporary Art-Or: For
the Hundredth
Birthday of John Wayne," Galerie Der Stadt Esslingen Am
Neckar and
Kunstmuseum St. Gallen, Esslinghan, Germany
"Paper, Painting and Sculpture," Fisher Landau
Center For Art, Long Island City,
New York
"Situation Comedy: Humor in Recent Art,"
Independent Curators International,
Traveling Exhibition
"Lights Camera Action: Artist's Film for the
Cinema," Whitney, New York
"Robert Mangold, Richard Prince," Andrea Rosen Gallery,
New York
"Light Sentence," Zeuggasse 7, Obergeschoss,
Germany
“Fit to Print, Printed Media in Recent Collage” Gagosian
Gallery
“Art in America: 300 Years of Innovation”, Guggenheim Museum
– Beijing,
Shanghai, Moscow, Bilbao (2008)
2006
"Damien Hirst's Murderme Collection: In the Darkest Hour
there May be Light,"
Serpentine Gallery, London
“ANOS 80: UMA TOPOLOGIA (The 1980's: A Topology),"
Fundação Serralves,
Porto, Portugal
"Implosion," Anton Kern Gallery, New York, New York
"A Thousand Things," MU meets 2KbyGingham,
Eindhoven, Holland
"Made In China," Gallery 51, Antwerp
"The Other Side #2," Tony Shafrazi Gallery, New
York
"Magritte and Contemporary Art: The Treachery of
Images," LACMA, Los
Angeles
"Wrestle," CCS Bard /Hessel Museum of Art,
Annandale-on-Hudson, New York
"Seventy-five at 75:Selections from the Joseph and
Elaine Monsen Photography
Collection at the Henry Art Gallery", Faye G. Allen
Center for the Visual Arts
University of Washington, Seattle
"The Big Nothing," ICA Universiity of Pennsylvania,
Philadelphia
"Defamation of Character," PS 1 MoMA, New York
"Surprise, Surprise," ICA, London
"Likeness: Portraits of Artists by Other Artists,"
CCA Virginia, Virginia Beach
"The Other Side," Tony Shafrazi Gallery, New York
"Medium Fotografie," Stampa Galerie, Base
“Hollywood Boulevard,” Galeria Fortes Vilaca, Sao Paulo
“New Trajectories I: Relocations: Recent painting, drawing
and multi-media work
from the Ovitz
Family Collection, Los Angeles,” Cooley Gallery at Reed
College, Portland
“Dark Places,” Santa Monica Museum of Art, Santa Monica
2005
"Self Portraits," Skarstedt Fine Art, New York
"Looking at Words," Andrea Rosen Gallery, New York
"Nudes In Vogue," Mitchell-Innes & Nash, New
York
“Drunk vs. Stoned”, General Store in association with Gavin
Brownʼs
enterprise,
New York
“Atlantic & Bukarest,” Kunstmuseum Basel, Basel
“Photographic Works,” Jurgen Becker, Hamburg, Germany
“Faces in the Crowd: Picturing Modern Life from Manet to
Today,” whitechapel,
London
“100 Artists See God,” Contemporary Art Center of Virginia,
Virginia Beach
"Faking Real," LeRoy Neiman Gallery, Columbia
University School of the Arts,
New York
“girls on film,” Zwirner & Wirth, New York
"Important, Modern and Contemporary Art," Gary
Nader, Miami
“The Last Picture Show,” Walker Art Center, UCLA Hammer
2004
"2004 Biennial Exhibition," Whitney Museum of
American Art, New York
“The Big Nothing,” Institute of Contemporary Art,
Philadelphia
"100 Artists See God," Independent Curators
International, New York. Traveling.
November 19 – January 9, 2005.
“Planet B: The Aesthetics of B Movies in Contemporary Visual
Arts,” Magazin 4
Vorarlberger and Bregenzer Kunstverein, Bregenz, Austria
"Motorcycles and Art," Susquehanna Art Museum,
Harrisburg, Pennsylvania
“I am the Walrus,” Cheim and Read Gallery, New York
"Hollywood Blvd," Presenca Galeria, Porto
“Indigestible Correctness I,” Participant Inc, New York.
“The Frank Cohen Collection: A Selection,” London
“Power, Corruption, and Lies,” Roth Horowitz, New York
“The Charged Image: from the collection of Douglas S.
Cramer,” Joseloff Gallery,
Hartford Art
School, University of Hartford, West Hartford, CT
“Precarious Scuplture,” Kunsthalle Wien
Flick Collection at Hamburger Bahnhof
“Undiscovered Country,” UCLA Hammer Museum
“On the Road: Photography After Kerouac,” Whitney Museum, New
York
“East Village USA,” New Museum, New York
“Faces in the Crowd: The Modern Figure and Avant-Garde
Realism,”
Whitechapel Art Gallery,
London; travelled to Castello di Rivoli Museum dʼArte Contemporanea, Turino
“Modernism,” Gagosian Gallery, New York
“Persona,” IKON LTD./ Kay Richards Contemporary Art, Santa
Monica, California
2003
La Biennale di Venezia, "Delays and Revolutions,"
Padiglione Italia. June –
September.
"The Fourth Sex: The Extreme People of
Adolescence," Pitti Imagine, Milano.
Through February 8.
"Unreal Estate Opportunities," PKM Gallery, Seoul.
"Back in Black," Cohan, Leslie, and Browne, New
York. June 26 – August 9.
"Summer Program," curated by Katy Siegel, Apexart
Curatorial Program, New
York. June 15 – July 26.
"Stranger in the Village," Guild Hall, Easthampton.
August 9 – October 20.
"Artist's Choice," Museum of Modern Art Queens.
Through February 2, 2004.
"Only Skin Deep," International Center of
Photography, New York Traveling,
TBD. December 12 – February 29, 2004.
"The Last Picture Show," Walker Art Center,
Minneapolis. Traveling. November
10 – April 1, 2004.
"Imperfect Innocence: The Debra and Dennis Scholl
Collection," Contemporary
Museum,
Baltimore and Palm Beach Institute of Contemporary Art. March
15 – June 15.
"Everyday Aesthetics: Works from the Astrup Fearnley
Collection," Astrup
Fearnley
Museum, Oslo. September 13 – December 12.
2002
"Chic Clicks: Creativity and Commerce in Contemporary
Fashion Photography,"
The
Institute of Contemporary Art, Boston
"watery, domestic," Renaissance Society, Chicago.
November 17 – December
22.
"Public Affairs," Kunsthaus Zurich
"Short Stories," Henry Art Gallery, Seattle
"To Whom it May Concern," CCAC Wattis Institute for
Contemporary Arts, San
Francisco
"The Photographic Impulse: Highlights from the Joseph
and Elaine Monsen
Photography Collection," Henry Art Gallery, Seattle
"Visions from America: Photographs from the Whitney
Museum of American Art,"
Whitney Museum of American Art, New York
"Art Downtown: New York Painting and Sculpture,"
New York
"Copy," Roth Horowitz, New York.
"New Visions of the West," Nassau County Museum of
Art, Roslyn Harbor, New
York
"Seeing Things: Photographing Objects 1850 - 2001,"
The Canon Photography
Gallery at the Victoria and Albert Museum, London
"TRANSFORMER," Air de Paris, curated by Inez van
Lamsweerde and Vinoodh
Matadin
2001
"Summer Reading," Frances Lehman Loeb Art Center,
Poughkeepsie, NY
"Televisions," Kunsthalle Wien
“Art at the Edge of the Law,” The Aldrich Museum of
Contemporary Art,
Ridgefield, CT
“Brooklyn Academy of Music Photography Portfolio,” Cheim
& Reid Gallery, New
York
“Parkett, Collaborations and Editions since 1984,” Museum of
Modern Art, New
York
“Spiritual America," Audiello Fine Art, New York
“Settings and Players: Theatrical Ambiguity in American
Photography,” White
Cube, London
“Mythic Proportions: Painting in the 1980s," Museum of
Contemporary Art, Miami
Galerie Jablonka, Cologne
2000
“Au-delà du Spectacle,” Centre Pompidou, Paris
"Customized: Art Inspired by Hot Rods, Low Riders, and
American Car Culture"
Institute of
Contemporary Art, Boston,
“Apocalypse: Beauty & Horror in Contemporary Art,” Royal
Academy of Arts,
London
“Around 1984: A Look at Art in the Eighties,” PS1
Contemporary Art Center, New
York
“Art & Facts,” Galleria Franco Noero, Torino, Italy
“Drive:power>progress>desire,” Govett-Brewster Art
Gallery, New Plymouth,
New Zealand
“Couples,” Cheim & Read, New York
“Letʼs
Entertain," Walker Art Center, Minneapolis, MN ,travelled to Centre
Pompidou,
Paris and Miami Art Museum
“Art at Work”, Queens Museum of Art, New York, Selected
JPMorgan Chase Art
Collection Exhibitions
1999
Art in Embassies Program, Slovak Republic, “Art in America:
2000”
The Whitney Museum of American Art, New York, “The American
Century – Part
II”
Real Art Ways, Hartford, CT, “Horse Play”
Museum of Contemporary Art, Chicago, “Transmute”
Barbara Gladstone Gallery, New York, “Plain Air”
Museum of Modern Art, New York, “Fame after Photography”
Whitechapel Art Gallery, London and The Museum of
Contemporary Art,
Chicago,
“Examining Pictures”
1998
Marianne Boesky Gallery, New York, “Real Stories”
The Cleveland Museum of Art, “Cleveland Collects Contemporary
Art,”
Matthew Marks and Pat Hearn Gallery, “Painting: Now and
Forever Part I”
Museum of American Art, Pennsylvania Academy of Fine Arts,
“Dispersal of Pop
Abstraction”
Deichtorhallen Hamburg “Die Rache der Veronika,” Fotosammlung
Lambert
Deichtorhallen, Hamburg, “emotion - Young British and
American art from the
Goetz Collection,”
The Power Plant, Toronto, “American Playhouse: The Theatre of
SelfPresentation”
1997
Whitney Museum of American Art, New York, “The Whitney
Biennial,”
Deichtorhallen, Hamburg, "Birth of the Cool,”
“American Painting from Georgia O'Keeffe to Christopher Wool,”
Kunsthaus,
Zürich
David Zwirner Gallery, New York, “Someone Else With My
Fingerprints,”
Traveling to Galerie Hauser & Wirth, Zürich; August
Sander Archiv, Cologne;
Kunstverein München; Kunsthaus München
Baumgartner Galleries, Washington, D.C. “New York on Paper”
1996
Gotlands Konst Museum, Visby, Sweden, "New York
Scene"
The Saatchi Gallery, London, "Young Americans: New
American Art in the
Saatchi Collection,"
The Power Plant, Toronto, "The American Trip,"
Bard College, New York, "Who Do You Think You Are?"
Center for Curatorial Studies, Bard College,
Annandale-on-Hudson, "a/drift:
Scenes from the Penetrable Culture"
Kunsthalle Zürich, Zürich, "Playpen of Corpus
Delirium"
Gramercy International Art Fair, Los Angeles
Musée d'Art Moderne, Paris, "Passions Privée"
Friedrich Petzel Gallery, New York, “Screen”
1995
Le Consortium, Nouvelles Scenes 95, Dijon, France,
"Photocollages"
Galerien der Stadt Esslingen am Neckar, 3.Internationale
Foto-Triennale, "Close
to Life,"
Alessandra Bonomo, Rome
University Art Museum, Berkeley, CA, "In A Different
Light,"
Neue Galerie am Landesmuseum Joanneum und Künstlerhaus Graz,
Germany, "Pittura / Immedia,"
Musée du Luxembourg, Paris, "L'effet cinéma"
Randolf Street Gallery, Chicago, “Art as Dramatic Comedy”
"Multiple Exposure: The Group Portrait in
Photography," Independent Curators
International, New York
1994
Kunstmuseum Wolfsburg, Wolfsburg, Germany, "Tuning
Up,"
Paula Cooper Gallery, New York, "Pictures of the Real
World (In Real Time),"
Galeria Luisa Strina, São Paolo, Brazil, "Das
Americas," traveling exhibition,
Luhring Augustine, New York, "The Ossuary"
Galerie Asbaek, Copenhagen
Per Skarstedt Fine Art, New York, "Cowboys and Jokes -
Works from 1980-1988"
1993
Kunsthalle Wien, Vienna, "The Language of Art"
Knoedler & Co., New York, "Up in Smoke: Photographs
1991-1992,"
International Center of Photography, New York,
"Commodity Image"
Galerie Johnen & Schöttle, Cologne, "Patrick Painter
Editions"
Galerie Jürgen Becker, Hamburg, "Sean Landers, Raymond
Pettibon, Richard
Prince"
Center for the Fine Arts, Miami, "Photoplay: Works from
the Chase Manhattan
Collection"
Thread Waxing Space, New York, "I Am the
Enunciator"
The Contemporary Arts Center, Cincinnati, "Mettlesome
Meddlesome: Selections
from the Collection of Robert J. Shiffler"
1992
Barbara Gladstone Gallery, New York, "c. 1980"
"Documenta IX," Kassel, Germany,
Museum of Modern Art, New York, "Allegories of
Modernism: Contemporary
Drawings,"
"Ars Pro Domo," sponsored by Museum Ludwig, Cologne,
curated by W.
Dickhoff,
Kunstraum Daxer, Munich, "Selected Works from the Early
80's," Catalogue
Wexner Center for the Arts, Columbus, OH, "Re: Framing
Cartoons,"
The Aldrich Museum of Art, Ridgefield, CT. "Quotations:
The Second History of
Art,"
Art Center College of Design, Pasadena, CA, "Hollywood
Hollywood,"
University Art Museum, Santa Barbara, CA, "Knowledge:
Aspects of Conceptual
Art,"
Catalogue; travelled to Santa Monica Museum of Art and North
Carolina
Museum of Art, Raleigh, NC
Chiesa di San Lorenzo, Aosta, Italy, "Theoretically
Yours," Collins &Milazzo
Gerald Peters Gallery, Dallas, "Summer Stock"
Galerie Micheline Szwajcer, Antwerp, "Mees,
Klingelhöller, Therrien & Prince"
International Center of Photography Midtown, New York,
"Special CollectionsThe
Photographic Order from Pop to Now,"
Rena Bransten Gallery, San Francisco, "Childhood
Revisited"
1991
Palazzo delle Albere, Trento, Italy, "American Art of
the 80's,"
Paula Cooper Gallery, New York, ACT-UP Benefit Art Sale
Fonds Régional d'Art Contemporain des Pays de la Loire,
Clisson, France
Walter Gropius Bau, Berlin, "Metropolis,"
Central Museum, Utrecht, the Netherlands, "Night
Lines,"
Central Museum, Utrecht, the Netherlands, "The Words and
the Images,"
Indianapolis Museum of Art, "Power: Its Myths, Icons,
and Structures in American
Art,1961-1991,"
Museum of Contemporary Art, Wright State University, Dayton,
OH, "Words &
Number's,"
Fonds Régional d'Art Contemporain des Pays de la Loire,
Clisson, France,
"OeuvresOriginales"
Margo Leavin Gallery, Los Angeles, "20th Century
Collage"
Galerie Pierre Huber, Geneva, "La Revanche de
L'Image"
Fernando Alcolea Gallery, Barcelona, "Rope"
Rosa Esman Gallery, New York, "To Wit"
Robert Miller Gallery, New York, "Portraits on
Paper"
Pat Hearn Gallery, New York
Stuart Regen Gallery, Los Angeles
Luhring-Augustine-Hetzler, Santa Monica
1990
The Israel Museum, Jerusalem, "Life Size: A Sense of the
Real in Recent Art,"
Milwaukee Museum of Art, "Word as Image: American Art
1960-1990,"
Travelling to Oklahoma City Arts Museum and Contemporary Art
Museum,
Houston
National Museum of Modern Art, Kyoto, "Images in
Transition: Photographic
Representation in the Eighties,"
Tony Shafrazi Gallery, New York, "The Last Decade:
American Artists of the
1980's,"Curated by Collins and Milazzo
Whitney Museum of American Art Downtown at Federal Reserve
Plaza, "The
Charade of Mastery,"Centre Pompidou, Paris, "Art et
Publicité 1890-1990,"
303 Gallery, New York, and Stuart Regen Gallery, Los Angeles,
"Paintball"
The New Museum, New York, "The Decade Show: Frameworks
of Identity in the
80's,"
Andrea Ruggieri Gallery, Washington, D.C., "The Age of
Information"
Galleri Nordanstad-Skarstedt, Stockholm,
"Disconnections"
International Center of Photography Midtown, New York,
"The Indomitable Spirit:
Photographers and Friends United Against AIDS,",
traveling to Los
Angeles Municipal Art Gallery
Massimo Audiello Gallery, New York, "The Last Laugh:
Irony, Humor,
Selfmockery, andDerision,"
1989
Paleis voor Schone Kunsten, Brussels, "WittgensteinThe
Play of the Unsayable,"
Curated by Joseph Kosuth
Whitney Museum of American Art, New York, "Image World:
Art and Media
Culture,"
Museum of Contemporary Art, Los Angeles, "A forest of
SIGNS: ART IN THE
CRISIS OF REPRESENTATION,"
Festival of Vienna, Vienna, "Moskau - Wien - New
York,"
Frankfurter Kunstverein, Frankfurt, "Prospect
Photographie,"
Festival Nouvelles Scenes '89, Dijon, France, "Une Autre
Affaire"
The School of Visual Arts Gallery, New York, "Dream
Reality," Curated by Peter
Nagy
Museum am Ostwall, Dortmund, West Germany, "In Other
Words: Wort und
Schrift in Bildern der Konzeptuellen Kunst,"
Kunstverein in Hamburg, "D & S Ausstellung,"
Yokohama Museum of Art, Japan, "Contemporary Art from
New York: The
Collection of the Chase Manhattan Bank,"
National Museum of American Art, Washington, D.C. "The
Photography of
Invention: American Pictures of the 1980's,"
International Museum of Photography at George Eastman House,
Rochester,
New York, "New Acquisitions, New Work, New
Directions"
Simon Watson Gallery, New York, "Re-presenting the
80's,"
Whitney Museum of American Art, Downtown at Federal Reserve
Plaza, New
York, "Suburban Home Life: Tracking the American
Dream"
Whitney Museum of American Art at Equitable Center, New York,
"Nocturnal
Visions in Contemporary Painting"
Rheinhalle, Cologne Fair Grounds, Cologne,
"Bilderstreit,"
Frankfurter Kunstverein, "Prospect '89,”
University Galleries, Illinois State University, Normal, IL,
"Through a Glass,
Darkly,"
Victoria and Albert Museum, London, "Photography
Now,"
Monika Sprüth Galerie, Cologne, "Scripta Manent - Verba
Volant"
Stedman Art Gallery, Rutgers University, Camden, NJ,
"Conspicuous Display,"
Stedelijk Museum, Amsterdam, "Horn of Plenty: Sixteen
Artists from New York
City"
Mai 36 Galerie, Lucerne, "Arrangements 1"
Hallwalls Contemporary Arts Center, Buffalo,
"Amerikarma"
1988
Städt. Kunsthalle, Kunstsammlung Nordrhein-Westfalen,
Kunstverein für d.
Rheinlande
u. Westfalen, Düsseldorf, "BiNATIONALE:
Deutsche/Amerikanische Kunst der
80er Jahre," Travelling to The Institute of Contemporary
Art, Museum of Fine
Arts, Boston, Catalogue
PPS. Galerie F.C. Grundlach, Hamburg and Galleri Contur,
Stockholm, "Das
Licht von der anderen Seite"
Daniel Weinberg Gallery, Los Angeles, "New Works by
Ashley Bickerton, Robert
Gober, Peter Halley, Jeff Koons, Richard Prince, Meyer
Vaisman, Christopher
Wool"
PS. Galerie F.C. Gundlach, Hamburg, "Gangs of Surrogate
Entertainers Since
McCollum - Robbins"
Whitney Museum of American Art, Downtown at Federal Reserve
Plaza, New
York, "Modes of Address: Language in Art Since
1960"
Centre National des Arts Plastiques, Paris, "The Object
of the Exhibition,"
Catalogue
Halle Sud, Geneva, "Reprises de Vues"
Lorence-Monk Gallery, New York, "Lifelike"
Kunsthalle Zürich, Zürich, "Allan McCollum-Richard
Prince"
Metro Pictures, New York, "Hover Culture"
Clocktower Gallery, New York, "Nostalgia as
Resistance"
Cable Gallery, New York, "A 'Drawing' Show"
The Haggerty Museum of Art, Marquette University, Milwaukee,
"Photography on
the Edge"
Wallach Art Gallery, Columbia University, New York,
"Sexual Difference: Both
Sides of the Camera"
The Bruce Museum, Greenwich, CT, "Photographic
Truth"
Venice Biennial, Venice, "Aperto '88," included in
an installation by Robert Gober
1987
Sidney Janis Gallery, New York, "Recent Tendencies in
Black and White”
Le Case d'Arte, Milan
Galerie Nächst St. Stephan, Vienna, "Fotografien"
Knight Gallery/Spirit Square Arts Center, Charlotte, NC,
"Romance," Catalogue
Los Angeles County Museum of Art, "Photography and Art:
Interactions since
1946," Travelled to Whitney Museum of American Art, New
York,
"1987 Biennial Exhibition"
John Good Gallery, New York, "True Pictures"
Harm Bouckaert Gallery, New York, "Prints"
Galerie Christoph Dürr, "Der Reine Alltag"
Hillwood Art Gallery, C.W. Post Campus/Long Island
University, New York,
"Perverted by Language"
Whitney Museum of American Art at Philip Morris, New York
"The Viewer as
Voyeur"
Hoffman Borman Gallery, Los Angeles, "The New Who's
Who"
1986
The 6th Biennial of Sydney, Australia, Catalogue
Holly Solomon Gallery, New York, "Text and Image: The
Wording of American
Art"
Castelli Graphics, New York, "The Moral Essays"
Institute of Contemporary Art, Boston, "As Found"
Michael Kohn Gallery, Los Angeles, "Post-Pop"
San Francisco Camerawork, CA, "Products and
Promotion," Travelling,
Catalogue
Wiener Festwochen, Wiener Secession, Vienna, "Wien
Fluss," Catalogue
Colin De Land Gallery, New York (with John Dogg)
LACE, Los Angeles, "TV Generations"
Queens Museum, New York, "The Real Big Picture"
1985
Whitney Museum of American Art, New York, "1985 Biennial
Exhibition,"
Catalogue
303 Gallery, New York (with David Robbins)
New Museum of Contemporary Art, New York, "The Art of
Memory/ The Loss of
History”
Center for Contemporary Arts, Santa Fe,, "Strategies of
Appropriation"
1984
ARC/Musee d'Art Moderne de la Ville de Paris, France,
"New York: Ailleurs et
Autrement," Catalogue
Washington Project for the Arts, Washington, D.C., "The
Magazine Stand"
Spiritual America, New York, "Pop"
Contemporary Arts Museum, Houston, "The Heroic
Figure"
Allen Memorial Art Museum, Oberlin College, OH,
"Drawings: After Photography"
Knight Gallery, Spirit Square Arts Center, Charlotte, NC,
"Jenny Holzer, Barbara
Kruger, Richard Prince," Catalogue
1983
The New Museum of Contemporary Art, New York, "Language,
Drama, Source
and Vision"
Biennale of São Paolo, Brazil
John Weber Gallery, New York, "Science Fiction"
1982
Institute of Contemporary Art, Philadelphia, "Image
Scavengers," Catalogue
The Contemporary Arts Center, Cincinnati, "Face It"
The Renaissance Society at the University of Chicago,
"Art and the Media"
1981
Allen Memorial Art Museum, Oberlin College, OH, "New
Voices 2: Six
Photographers Concept/Theater/Fiction"
5th Wiener Internationale Biennale, Wiener Secession, Vienna,
"Erweiterte
Fotografie"
Hayden Gallery, Massachusetts Institute of Technology,
Cambridge, "Body
Language,"
Catalogue
1980
ARC/Musee d'Art Moderne de la Ville de Paris, "Ils se
disent peintres, ils se
dissent hotographes"
Metro Pictures, New York
1979 Castelli Graphics, New York, "Pictures -
Photographs"
Hartford Art School, University of Hartford, Connecticut,
"Imitation of Life"
In his own words:
“Some people are better at handling the
limelight than others. I mean, you take a guy like J.D. Salinger who basically
has been off the grid for 30, 40 years—has no use for it, doesn't care about
it. And then, of course, it absolutely destroyed someone like Pollock. And, in
a strange way, it wasn't so much the media that did it, but just the idea of
making it and becoming successful. Look at the rock 'n' rollers-that's a whole
other level. You can name so many who died very soon after they had any
success, whether it's Jimi Hendrix or Gram Parsons or Jim Morrison or Janis
Joplin or Kurt Cobain . . .
Representative
Galleries:
Gagosian
Skarstedt
For
more Information:
http://www.interviewmagazine.com/art/richard-prince/#_
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